style 9.3

11 07 2010

today I will compare the different looks of trees throughout the world of classical art over a period of about 600 years. when you look at these trees you have to separate the different elements – the ROOTS, the TRUNK and the CROWN. sometimes parts of the ROOTS are above of the earth and create nice curvy shapes against the usually pretty straight TRUNK. the TRUNK with its BARK can have a smooth or very textured surface. the CROWN is sometimes shown just as a shape or with the FOLIAGE, with all the different leaves on smaller branches. you have to differentiate as well if they are DECIDUOUS TREES ( leafs ), NEEDLE- or PINE-TREES or tropical PALM-TREES. then the SEASONS make a big difference, in shape and color. in winter you only see the tree skeleton in case of the leafy trees with a lot of thinner branches, in summer you have a big mass of foliage. in spring the leafy trees develop blossoms first, very important in japanese and chinese art. autumn adds some bright red, orange and sienna brown colors, spring shows juicy yellows and greens. as you can imagine and see in some of the paintings as well, all that creates already an incredible variety. the early paintings in the western world were done for religious reasons, the figures were more important. that’s why the backgrounds are more the idea of the environment. throughout the medieval times that changes, the worlds becomes more and more realistic. then in more modern years it develops again the other way, portraying and abstracting the idea of nature, this development is similar in all different cultures. the paintings I combined show you how rich our world of art is, how beautiful and very unique the artists from around the world and through times painted what they saw. this time I wanted to concentrate just on TREES, in some future chapters I will do the same with different elements.










style 9.2

8 07 2010

continuing with the series TREES IN ART I show you in this chapter a selection of illustrations from children-books and comic-strips, covering a period of about one hundred years. from ARTHUR RACKHAM and KAY NIELSEN to artists I found in recent years through their blogs. RACKHAM and NIELSEN influenced the background style of the early animated films, NIELSEN even worked at disney for a while. JIRI TRNKA is best known for his stunning puppet-animation films and EDELMANN styled the animated feature YELLOW SUBMARINE and influenced probably a whole generation of artists. stylistically it is a wide range, the pen+ink children-book style from the beginning of the last century, RIEN POORTVLIET’S very realistic nature studies and on the other end CHARLY HARPER’S extreme graphic style. for me some of the most interesting styled illustrations are from HEINZ EDELMANN, JORGE GONZALES, TADAHIRO UESUGI and FREDERIC BEZIAN. most of them have their own blogs and it is worth to check their work. the influence of different ART-styles in general is obvious, more about that in the next chapters – TREES IN ART.










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