corny cole

14 11 2014

unfortunately I never met CORNY COLE, I know though some of his work, especially what he did for RAGGEDY ANN AND ANDY. RICHARD WILLIAMS worked very often with CORNY, he described to me his crazy style, doing most of his sketches with a simple ballpoint pen and never using any reference. DICK described him as a genius. the illustrations below might have been for a personal project, CORNY had in mind, or it was one of those collaborations with DICK WILLIAMS, anyway, DICK gave me these xeroxes about 30 years ago.

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA

© corny cole





mulan findings 9

17 10 2014

the first pen+ink style sketches for disney’s MULAN and their color versions.

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
mulan 1.color designs

© disney enterprises, inc.





madeline

5 09 2014

1madeline cover

the first children book MADELINE was published in 1939, 8 more followed. the author and illustrator was LUDWIG BEMELMANS, 1898 – 1962, born in austria and emigrated to the united states in 1914. the illustrations in the first book are very simple, concentrating on the characters, there is barely any major background. in the few pieces where BEMELMANS added some more detail to establish where the story takes place you can see that he was obviously inspired by the french painter RAOUL DUFY, 1877 – 1953.

2madeline bemelmans
3madeline 2
4dufy style

in 1952 UPA produced an animated version of the first book, directed by BOBE CANNON, layout design ART HEINEMAN and color by JULES ENGEL. the animation was done by BILL MELENDEZ and FRANK SMITH. the design team was facing the problem to develop a background style since there was not enough reference in the books. they went back to RAUL DUFY, and came up with backgrounds inspired by his art. below you can see 2 recreated longer pans from the short.

7Madeline (1952) pan 1
8Madeline (1952)night pan 1
9Madeline (1952) night pan 2

© ludwig bemelmans / UPA / raul dufy





rooty toot toot

30 08 2014

Rooty Toot Toot.John Hubley.UPA.1951 AA1

after a long time I recreated some more backgrounds, from the 1951 UPA short – ROOTY TOOT TOOT. directed by JOHN HUBLEY the main animators were GRIM NATWICK and ART BABBITT. you might have guessed it, the amazing styled layouts and backgrounds were created by PAUL JULIAN. the film was voted in 1994 one of the best ’50 greatest cartoons’.

Rooty Toot Toot.John Hubley.UPA.1951 B
Rooty Toot Toot. John Hubley.UPA.1951 C
Rooty Toot Toot.John Hubley.UPA.1951 A

© UPA





beauty and the beast 1989

24 08 2014

around this time of the year, 25 years ago, a small team of artists from california and europe started to work on their version of BEAUTY AND THE BEAST. you can read more about the story behind the scenes in several of my earlier posts ( here, here, here ) there was DON HAHN, the producer. ANDREAS DEJA and GLEN KEANE from animation, TOM SITO story, JEAN GILMORE visual development, DEREK GOGOL from london for production design, MICHAEL DUDOC DE WITT from london as well for storyboard, and me for storyboard, color and design, working in the animation studio of JILL and DICK PURDUM, in london. for a short time veterans MEL SHAW and WALT STANCHFIELD joined the team.

B+B 001
glen keane’s board
B+B 006
michael dudok de witt
B+B 37
derek gogol’s castle version with my colr additions
B+B 009
glen keane
B+B 015
me
B+B b
glen’s board
B+B 010
the team discussing storyboards
B+B 17
mel shaw and his pastel paintings
B+B 019
mel shaw
B+B 36
glen’s early beast version
B+B 10cc
part of glen’s boards
B+B bb
derek’s castle
B+B 9
glen’s board
B+B 014
derek gogol and jean gilmore
B+B 27
opening sequence by dick purdum
B+B 012
tom sito pitching
B+B 037
andreas deja’s character design and my color
B+B 38
glen’s action scenes
B+B 29
glen’s beauty and the beast

© disney enterprises, inc





disney florida

29 06 2014

the following reproduced pages are from a give-away brochure for visitors of the disney/MGM studio in DISNEYWORLD FLORIDA about 20 years ago. the pictures were as well displayed in an ongoing exhibition to show the process how animated features were done.

1DSC05858a
2DSC05869a
3DSC05859a
4DSC05860a
5DSC05861a
6DSC05862a
7DSC05863a
8DSC05864a
9DSC05865a
10DSC05866a
11DSC05867a
12DSC05868a

© disney enterprises, inc





toontown

24 02 2014

I recently found the ‘finale’ for the TOONTOWN-sequence in WHO FRAMED ROGER RABBIT, a part of a storyboard that HARALD SIEPERMANN and I created in the summer of 1987 in the AMBLIN-studio on the UNIVERSAL-lot. it was never used in the film, – since our boards summed up to about 15 min of film the director, BOB ZEMECKIS, cut the sequence down to 45 seconds.

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA

© amblin entertainment / universal pictures / disney enterprises, inc








Follow

Get every new post delivered to your Inbox.

Join 661 other followers