die nibelungen

25 01 2014

the first film adaptation of the german epic poem DAS NIBELUNGENLIED from around 1.200 AD was done by legendary film director FRITZ LANG in two feature films – SIEGFRIED and DIE NIBELUNGEN, KRIEMHILD’S RACHE in the year 1924. only 90 years later I have started now visual development on an animated feature film project DIE NIBELUNGEN. HANNES RALL, who produced last year the animated short DAS KALTE HERZ, is writing the screenplay and will direct the film. financing for now comes from MFG film funding baden-wuerttemberg. we don’t have a finishing date yet but it might be a few years in production. I am excited to work on this epic project, it will be mostly traditional animation, the story is good and I can go visually wild, getting lost in the world of expressionistic painting. below some of my first designs.

1nibelungen
2nibelungen
3nibelungen
4nibelungen
5nibelungen

© hans bacher + hannes rall





mulan findings 5

29 03 2013

here is some more visual development artwork for disney’s MULAN. it was done sometime early 1994 before I joined the team

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA

© disney enterprises, inc





mulan findings 2

10 01 2013

before I became the official production designer for disney’s MULAN in december 1994 a small team of visual development artists had explored all different artistic directions for a possible style of that project. some of them had nearly worked on and off for 2 years on that. it was a challenge, the chinese typical painting-look was very difficult to copy for the use in animation. it still was supposed to be a disney movie but the studio wanted to come up with a story-typical style for the new projects. it had been successfully done with HERCULES, ALADDIN and LION KING where art-historic and geographic elements had been combined and ‘disneyfied’. below a few of the hundreds of paintings and sketches from that early stage of development. some more will follow

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA

© disney enterprises, inc





albert hurter

7 01 2013

albert hurter AA
albert hurter on pinocchio

ALBERT HURTER was the first visual development artist in the disney studio, most of characters and environments for the disney shorts in the thirties, the SILLY SYMPHONIES, but as well as for the features SNOW WHITE AND THE SEVEN DWARFS, PINOCCHIO, DUMBO, FANTASIA and THE RELUCTANT DRAGON were designed by him. born in switzerland in 1883 he studied architecture in zurich and went then for seven years to an art academy in berlin. probably because of the dangerous situation and the beginning of WWI he left europe in 1914 and went to new york where he was introduced to the animation film industry. in the barre-bowers studio he worked on the MUTT & JEFF cartoons and became very fast well known for his amazing drawing talents. around 1930 he applied for work at the disney studio where he was disney’s VISUAL SKETCH ARTIST for more than a decade, drawing whatever came to his mind, playing with the ideas of a new story and working on films they would be produced long after his death, like PETER PAN and LADY AND THE TRAMP. I am sure that he introduced the disney artists to european masters like HEINRICH KLEY, WILHELM BUSCH and the caricature artists of the SIMPLIZISSIMUS. in 1942 he died of a weak heart, and seven years later a book HE DREW AS HE PLEASED was pubished, put together by TED SEARS, one of the story artists hurter had worked with. the book has about 700 of hurter’s sketches throughout his years at disney, and a lot of them have always been my favorites. I post them below in a bigger size.

michael sporn has posted the complete book in 2 parts on his blog – you can find it here and here.

hurter book
hurter2106
hurter2107
hurter2109
hurter2108
hurter2113

© albert hurter and disney enterprises, inc





regis loisel 6

22 03 2012

here is the last part of REGIS LOISEL’S visual development work for disney’s MULAN.














© disney enterprises, inc / regis loisel





regis loisel 5

9 10 2011

and some more of REGIS LOISEL’S visual development artwork for disney’s MULAN










© disney enterprises, inc / regis loisel





regis loisel 4

22 08 2011

now as promised more of REGIS LOISEL’S visual development designs for disney’s MULAN






© disney enterprises, inc / regis loisel








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