comparison 3

17 07 2010

here are some more layouts and final backgrounds to compare, from the disney animated feature films – BAMBI ( 1942 ), MELODY TIME – ONCE UPON A WINTERTIME ( 1948 ) and 101 DALMATIANS ( 1961 ). as usual it is very interesting to compare the changing styles as well, in layout and in background.




© disney enterprises, inc

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sir william russell flint

16 07 2010

SIR WILLIAM RUSSELL FLINT, 1880 – 1969, is probably one of the best known english watercolor artists. in the early 1900s he illustrated for the ILLUSTRATED LONDON NEWS, following were book-illustrations like SOLOMON’S SONG OF SONGS and a four volume edition LE MORTE D’ARTHUR. in his later work he concentrated on oriental themes. besides his beautiful watercolors he was a passionate drawing artist and published several books with studies and sketches that reveal his love for art and stunning models. he was member of the royal academy, president of the royal watercolor society and was knighted in 1947. below is a small selection of some of his watercolors.








© sir william russell flint





folkwang

14 07 2010

this is where it all started – in ESSEN WERDEN in germany, sept.1969. FOLKWANG SCHOOL, – a very well known artschool, follow-up-school of the BAUHAUS in dessau 1919 – 1933. I even had a few teachers they were taught by bauhaus teachers. that’s why the education-program was pure BAUHAUS, very academic. the selection process based on a submitted portfolio was tough – only 40 students from about 500 were accepted.
of course I could not believe how lucky I was when I got the news that I made it. it was the best time in my life, being able to draw all day together with others as obsessed as I was, learning from teachers we admired. and the school itself was something, it had been a monastery in the 14th century, a pretty big arrangement of very old buildings, with that typical old smell. the mensa looked like AUERBACH’S CELLAR in THE TALES OF HOFFMAN. and the whole village of WERDEN in the hilly suburbs of ESSEN was very charming, with medieval pubs and traditional old houses.
we had lots of fun – some of the parties took place in a house, built in 1377, where two of my friends lived. a lot of the older semesters met during events like that, from all the other faculties as well. very similar to the CAL-ARTS school in valencia/L.A. we had MUSIC, THEATER, DANCE and of course DESIGN, what included GRAPHIC DESIGN, PHOTOGRAPHY, SCULPTURE, PRINTING, TEXTILE DESIGN, INDUSTRIAL DESIGN and PAINTING.
because I had friends in all the other faculties I had a chance to get some 2nd hand education in all those directions, especially PHOTOGRAPHY, TEXTILE-and INDUSTRIAL DESIGN. it was a very good school and a lot of the photography students at that time are today world famous photographers with MAGNUM and NATIONAL GEOGRAPHIC. the illustration and industrial design group was very well known as well, leading in automobile- and camera design. anyway, at that time we had a lot of different things than to study in our minds.
funny is, that a few years later I started to teach there myself, part time, animation and comic strip illustration. and I became very close friends with a lot of my former teachers. the school had been integrated into the university of essen and the old charme was gone.





magic highway

13 07 2010

may 1958 an eight minute special – MAGIC HIGHWAY U.S.A. – premiered in the DISNEYLAND tv-show, it was directed by WARD KIMBALL. like common in those days and like in OUR FRIEND THE ATOM, it showed a very optimistic future of the american street- and freeway-system. at that time it was ‘science-fiction’, today we laugh. so don’t look at it for the content. I always liked the style of the backgrounds though, very close to architectural renderings. following are some stills and recreated longer pans.







© disney enterprises, inc





style 9.3

11 07 2010

today I will compare the different looks of trees throughout the world of classical art over a period of about 600 years. when you look at these trees you have to separate the different elements – the ROOTS, the TRUNK and the CROWN. sometimes parts of the ROOTS are above of the earth and create nice curvy shapes against the usually pretty straight TRUNK. the TRUNK with its BARK can have a smooth or very textured surface. the CROWN is sometimes shown just as a shape or with the FOLIAGE, with all the different leaves on smaller branches. you have to differentiate as well if they are DECIDUOUS TREES ( leafs ), NEEDLE– or PINE-TREES or tropical PALM-TREES. then the SEASONS make a big difference, in shape and color. in winter you only see the tree skeleton in case of the leafy trees with a lot of thinner branches, in summer you have a big mass of foliage. in spring the leafy trees develop blossoms first, very important in japanese and chinese art. autumn adds some bright red, orange and sienna brown colors, spring shows juicy yellows and greens. as you can imagine and see in some of the paintings as well, all that creates already an incredible variety. the early paintings in the western world were done for religious reasons, the figures were more important. that’s why the backgrounds are more the idea of the environment. throughout the medieval times that changes, the worlds becomes more and more realistic. then in more modern years it develops again the other way, portraying and abstracting the idea of nature, this development is similar in all different cultures. the paintings I combined show you how rich our world of art is, how beautiful and very unique the artists from around the world and through times painted what they saw. this time I wanted to concentrate just on TREES, in some future chapters I will do the same with different elements.










j.c.leyendecker

9 07 2010

JOSEPH CHRISTIAN LEYENDECKER was born 1874 in montabaur, germany and died in 1951 in new rochelle, united states. he is probably best known for his SATURDAY EVENING POST cover illustrations, between 1896 and 1950 he painted more than 400 of them. but he created as well numerous posters, book- and advertising-illustrations ( the ARROW COLLAR MAN and KUPPENHEIMER SUITS ). NORMAN ROCKWELL was a good friend, and you can see in his early SATURDAY EVENING POSTERS a strong resemblance to LEYENDECKER’S style. the mainstream image of santa claus as a jolly fat man in a red fur-trimmed coat was popularized by leyendecker, as was the image of the new year baby.






© j.c.leyendecker / saturday evening post





style 9.2

8 07 2010

continuing with the series TREES IN ART I show you in this chapter a selection of illustrations from children-books and comic-strips, covering a period of about one hundred years. from ARTHUR RACKHAM and KAY NIELSEN to artists I found in recent years through their blogs. RACKHAM and NIELSEN influenced the background style of the early animated films, NIELSEN even worked at disney for a while. JIRI TRNKA is best known for his stunning puppet-animation films and EDELMANN styled the animated feature YELLOW SUBMARINE and influenced probably a whole generation of artists. stylistically it is a wide range, the pen+ink children-book style from the beginning of the last century, RIEN POORTVLIET’S very realistic nature studies and on the other end CHARLY HARPER’S extreme graphic style. for me some of the most interesting styled illustrations are from HEINZ EDELMANN, JORGE GONZALES, TADAHIRO UESUGI and FREDERIC BEZIAN. most of them have their own blogs and it is worth to check their work. the influence of different ART-styles in general is obvious, more about that in the next chapters – TREES IN ART.