as far as I remember it was sometime in 1995 during the preproduction of MULAN when my producer at disney PAM COATS asked for my advice about possible illustrators or comic-strip artists who might be willing to work with us for a short time. the more diverse in style, the better. the first name that came to my mind was REGIS LOISEL, next to MOEBIUS one of the most influental french comic-strip artists. after his stunning four volume series LA QUETE DE L’OISEAU DU TEMPS he had started his version of PETER PAN that promised to be even better. I admired the worlds he created, beautifully designed environments as well as very unusual character-design. and – what I liked the most – he was as much away from disney as you could imagine! that’s why I did not really believe he would say yes. finally I talked to him on the phone, he tried to speak a bit english and I tried to remember all my half-forgotten french. somehow it was a good conversation because he agreed to come to L.A. for two weeks to work with us.
these two weeks I will not forget, we spent a lot of time together. next to working with him in my office I showed him L.A. and some of the neighborhood. and we had great dinners and a lot of wine. my french improved and REGIS even learned to comunicate with the other artists in english. he was the nicest guy and what an artist! anyway – we stayed in touch for a while afterwards until he moved to canada and I left disney. his series PETER PAN became a six volume MASTERPIECE. as soon as he had finished a new book he sent me a copy together with a beautiful sketch, treasures in my collection. recently I found copies of the MULAN-designs he had done during the two weeks he stayed with us and I am planning to post some of them. in a way his designs are very similar to ALEX NINO’S work, but he added a lot more story in his sketches, came up with great gags and ideas I wish we had included in our film.
© disney enterprises, inc / regis loisel