balto backgrounds 2

19 11 2016

some more BG’s from the AMBLIMATION animated feature film BALTO ( 1994 ), painting technique oil and gouache.

balto20

balto22

balto29

balto21

balto27

balto28

baslto24

balto25

balto23

balto26

balto30

© universal / amblin





balto backgrounds

13 11 2016

digging through my photography files I found these beautiful backgrounds from the AMBLIMATION animated feature film BALTO, except the last one all painted in oil by LUC DESMARCHELIER, one of the master-painters. it’s the year 1993, london. we decided to paint most of the BG’s in oil after painted snow tests in gouache were not looking like snow. only some wooden textured house shots and a few interiors were painted in gouache. it was hard for most of the background painters to get more familiar with this unusual painting technique in animation. after disney’s BAMBI BALTO was the second feature film painted in oil.

Minolta DSC

Minolta DSC

Minolta DSC

Minolta DSC

Minolta DSC

Minolta DSC

Minolta DSC

Minolta DSC

© amblimation / universal pictures





early spring 1993 london

12 01 2016

over christmas I had some time to dig through my archives, and I found a lot of historic stuff that you might like to see. it’s amazing to look at drawings again after so many years, lots of memories come alive. I want to start with BALTO, an animated feature film about husky dogs in alaska and the famous iditarod dog-sled race. I worked on it from 1992 on, production started in 1993. all that in london, acton town, a very interesting and ‘alive’ part of london. the following designs were all done by a young kid, early twenties, french, one of the most amazing character designers I ever met, and a brilliant animator as well – you might have seen his work in recent films from DREAMWORKS, like the trained dragon and the panda series. I am talking about a master – NICOLAS MARLET. there will be more, especially from CATS. but for now BALTO, or as it was called at that time SNOWBALLS

KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA
KONICA MINOLTA DIGITAL CAMERA

© nicolas marlet / universal pictures / amblin entertainment





amblimation balto documentary 1994 part 1

27 03 2015

anim.hist

the AMBLIMATION studio in london-acton town, jan.1994, shortly after the disaster earthquake in northridge, L.A.

some impressions of the background department, located separate on the 1.floor, because of the better light conditions,

fun after work in the pub next door. most of us were hanging out there after work several times a week.

studio party after successful work, STEVE HICKNER, producer, giving a speech.

more BALTO BG’s, most of them painted in oil. I never understood, why that was never used in the promotion of the film. at least it was the only film next to BAMBI where the backgrounds were nearly entirely painted in oil.

amblimation 1.1994 balto from hans bacher on Vimeo.

© Amblin / Universal





special

25 12 2011

a ‘merry christmas’ to everybody who is celebrating the event. for this special occasion I want to show you a selection of designs for several animated feature films created over the past fifteen years by some of the best in their field. PAUL FELIX and a few of his many masterful pencil sketches for disney’s MULAN, as well as some of his paintings and drawings for the shelved SNOW QUEEN project. further MARCELO VIGNALI with his beautiful visuals for MULAN and CHEN-YI CHENG’S ancestor group for the ‘mushu’s awakening’ sequence in MULAN. finally two more stunning jungle action scenes for TARZAN by JOHN WATKISS, and some of the amazing layout work for BALTO created by one of the best layout artists, now animator – BOLHEM BOUCHIBA. I hope you enjoy this very special gallery of the masters – happy holidays.


















© disney enterprises, inc
© universal pictures / amblin entertainment





caricatures 1

31 05 2011

the following caricatures were created by NICOLAS MARLET as far as I remember in 1992, at that time STEPHEN SPIELBERG’S animation studio in london ( acton ) – AMBLIMATION – was still busy with the feature film WE’RE BACK. you could hear many different languages, a lot of young animators from all over the world, but mainly europe, were working there on one huge floor divided into small cubicles. we used to caricature each other, just for fun. and NICOLAS was one of the best artists for sure!









© nicolas marlet





alaska

25 05 2011

below my production design for a diagonal pan in BALTO from 1993 ( feltpen and gouache ), followed by the final background painted in oil – could not avoid the reflections in the overlay cels.


© universal pictures / amblin entertainment