mulan findings 4

this is the color script for one of the first sequences in disney’s MULAN that went into production – the song sequence I’LL MAKE A MAN OUT OF YOU. the head of background in the florida studio BOB STANTON painted the thumbnails

© disney enterprises, inc

das kalte herz

four years in the making, HANNES RALL, a good friend and colleague here at nanyang technological university ADM, is now presenting his new animated film DAS KALTE HERZ ( the cold heart ). several animators from asia and europe worked on this stylized german fairy tale. written by WILHELM HAUFF in the nineteenth century the story is about a young man whose heart get’s corrupted by greed. sounds very much like a modern true story, nothing that would ask for a common look. hannes chose stylewise a mix of ingredients from german expressionism, you will be reminded of painters and woodcut artists like ERNST LUDWIG KIRCHNER, KARL SCHMIDT-ROTTLUFF, EMIL NOLDE, ERNST BARLACH, MAX BECKMANN, OTTO DIX, ERICH HECKEL, KAETHE KOLLWITZ and MAX PECHSTEIN, as well as films like DAS CABINETT DES DR. CALIGARI, DER GOLEM and NOSFERATU. I helped out with the color design influenced as well by a lot of the above mentioned painters. you can find the trailer of the film on CARTOON BREW. below some pages of my color script.

© hannes rall

color 1.1

the choice of the right color seems to be a challenge, that’s at least what I hear from a lot of my students. of course you can trust your intuition or get inspired by the right music, but I think it might be safer to collect enough information, in this case – visual reference. maybe you have enough photos in your archives to choose from, but in any case you can find everything and fast on the internet. as an example I picked the theme WINTER.

when I did the production design for BALTO I had to do a lot of research about alaska, snow covered mountains and deep forests, whatever I could find about the cold northern winter. without checking photographic- or art-reference you probably would go for a lot of white with some greyish-blue colors. in case of BALTO we wanted to avoid that cold color-range as often as possible. the white with blue color combination feels cold and you don’t want your audience to start freezing.
when you look at the collected photos you will find blue as the dominant color, but as well a lot of other balancing colors you could use to go into a different warmer range.

in the second big compilation you can study a wide range of artwork from around the world and from over the last two hundred years covering the same theme. here as well the color choices of the different artists were not just blues and greys. you can check that very well in my color-picks.

that is how I usually start, in case I need to come up with a color script. you select all the colors from whatever reference you use and then condense the color-picks to the range that fits your storyline the best, and – you choose colors harmonizing with each other. according to the story you are working on, a lot more goes into the choice of the right color, especially in your color script, where you need to translate the development of the drama and illustrate the mood. in some cases your story in the climax part of the film might need even in a winter snowy environment completely different colors, colors that symbolise the idea and not the reality.