color 1.1

19 04 2012

the choice of the right color seems to be a challenge, that’s at least what I hear from a lot of my students. of course you can trust your intuition or get inspired by the right music, but I think it might be safer to collect enough information, in this case – visual reference. maybe you have enough photos in your archives to choose from, but in any case you can find everything and fast on the internet. as an example I picked the theme WINTER.

when I did the production design for BALTO I had to do a lot of research about alaska, snow covered mountains and deep forests, whatever I could find about the cold northern winter. without checking photographic- or art-reference you probably would go for a lot of white with some greyish-blue colors. in case of BALTO we wanted to avoid that cold color-range as often as possible. the white with blue color combination feels cold and you don’t want your audience to start freezing.
when you look at the collected photos you will find blue as the dominant color, but as well a lot of other balancing colors you could use to go into a different warmer range.

in the second big compilation you can study a wide range of artwork from around the world and from over the last two hundred years covering the same theme. here as well the color choices of the different artists were not just blues and greys. you can check that very well in my color-picks.


that is how I usually start, in case I need to come up with a color script. you select all the colors from whatever reference you use and then condense the color-picks to the range that fits your storyline the best, and – you choose colors harmonizing with each other. according to the story you are working on, a lot more goes into the choice of the right color, especially in your color script, where you need to translate the development of the drama and illustrate the mood. in some cases your story in the climax part of the film might need even in a winter snowy environment completely different colors, colors that symbolise the idea and not the reality.

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style 10.6.1

15 04 2012

the change of seasons is something I am missing since I live in this part of the world close to the equator, where you have only one season all over the year. I put together some paintings from around the world and from the last five hundred years illustrating that amazing change of colors and mood in very different styles.






moments 20

3 04 2012

compiled from some of my favorite commercials these captured moments are meant to be for your inspiration in every visual aspect, especially composition and color.





empty

17 12 2011

another one for the book





more…

1 11 2011

…from the book

© bilderfabrik





color study 1151

14 05 2011





Nr.444

21 02 2010

as everything else the color is perfect in disney’s 101 DALMATIANS as well. responsible for the overall look and the production design, as well as the art direction of the film was KEN ANDERSON. but he relied on one exceptional artist for the right color choices in every single sequence – WALT PEREGOY. in hundreds of small mostly abstract color sketches he defined the right color combination of the characters and the backgrounds. see below some of his work compared to the final result in the film.




© disney enterprises, inc