style 8.2

24 06 2010

EYVIND EARLE wrote in his autobiography – HORIZON BOUND ON A BICYCLE

‘I knew I was going to style SLEEPING BEAUTY, as well as paint all the key backgrounds, and all I had to do was to do it in my own style. how utterly simple it was going to be for me. at home I began practicing doing SLEEPING BEAUTY’S forest scenes. after all, my favorite artists were ALBRECHT DUERER and VAN EYCK and BRUEGEL, and all GOTHIC ART, and the HOURS of the DUKE DE BERRY. the whole project fit me like a glove. AL DEMPSTER told me it wasn’t fair of me to practice on my own time at home, but after all, I had been trying to get into disney for fifteen years, all during which AL DEMPSTER, CLAUDE COATS and RALPH HULETT had been making a good living while I struggled and struggled. now it was my turn to show them what I could do…

JOHN HENCH had just about finished two masterful drawings in black/white of two forest scenes. they were given to me to paint as I wished. JOHN HENCH’S renderings were renaissance rokoko to my mind. I wanted stylized simplified gothic. straight tall perpendicular lines like gothic cathedrals. the figures should be straight and tall and thinned out and elongated like gothic sculpture…

…I took JOHN HENCH’S masterpieces and straightened up the curving, bending, winding trees. I used one-point perspective. I rearranged the bushes and trees in geometrical patterns. I made a medieval tapestry out of the surface I possible. all my foregrounds were tapestry designs of decorative weeds and flowers and grasses. and since it is obvious that the gothic style and detail evolved from the arabic influence aquired during the crusades, I found it perfectly permissible to use all the wonderful patterns and details found in PERSIAN MINIATURES. and since persian miniatures had a lot in common with chinese and japanese art, I felt it was ok for me to inject quite a bit of japanese art, especially in the close up of leaves and overhanging branches…

…and then, since everything came from nature in the first place anyway, I started taking close-up photographs of every different bush or tree I could find in the san fernando valley, and then took VAN EYCK, and PETER BRUEGEL, and ALBRECHT DUERER, and BOTTICELLI, and THE HOURS OF THE DUKE DE BERRY, and the PERSIANS and JAPANESE and GOTHIC ART, and on top of that I injected a little piece of EYVIND EARLE. wherever my taste lead me is where I wandered in my search for the perfect styling of SLEEPING BEAUTY.’

tomorrow the final chapter.

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